One Night
Off Bway, Target Margin at The Doxsee

Reviewed by Taylor Black

BOTTOM LINE: A deeply hospitable invitation to meditate on oral storytelling, diaspora, and the ways we build communities around narrative, through the framework of The One Thousand and One Nights.

Walking into the Doxsee Theater, Target Margin’s Sunset Park warehouse-conversion performance space, I was a little apprehensive—was I actually going to sit through nine straight hours of theater? Like many, my attention span has been whittled down to nearly nothing...

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King Kong
(Off Off Bway, Radiotheatre NYC)
Review by Emily Cordes

BOTTOM LINE: In the style of classic radio dramas, this live audio play offers a fresh take on the iconic King Kong story.

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How I Learned to Drive
(Broadway, Manhattan Theatre Club)
Review by Shani R. Friedman

BOTTOM LINE: Seen through a 21st-century lens, this 25-year-old drama remains topical and gripping, with the original leads revisiting the same roles.

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(Off Off Bway, IATI Theater)
Review by Dan Dinero

BOTTOM LINE: At times intense, at times more meditative, Bloom offers a look at a dystopia that might be closer than we think.

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H*tler's Tasters
(Off Bway, New Light Theater Project at Theatre Row)
Review by Linda Buchwald

BOTTOM LINE: A timely dark comedy that is as fun as it is terrifying.

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(Off Bway, The Players Theater)
Review by Emily Cordes

BOTTOM LINE: A topical, if sensationalized, new musical inspired by the life of troubled 1940s starlet Frances Farmer.

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(Off Off Bway, Houses on the Moon at The Sheen Center)
Review by Max Berry

BOTTOM LINE: SuperHero is a beautiful coming-of-age story that, while a little long at times, leaves you with a smile on your face and tears in your eyes.

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